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Admission Test GRE-Verbal Exam Syllabus Topics:
| Section | Objectives |
|---|---|
| Topic 1: Reading Comprehension | - Understand and analyze passages
|
| Topic 2: Sentence Equivalence | - Select two answers that produce equivalent meanings
|
| Topic 3: Text Completion | - Complete sentences and paragraphs logically
|
Admission Test Section One : Verbal Sample Questions:
1. Four of the ships sought a passage along a southern ___.
A) answer not available
B) body of land with water on three sides
C) coast
D) inland
E) border
2. VERDANT:
A) incomplete
B) forbidding
C) immature
D) diminutive
E) desolate
3. Victorian poetess Christina Rossetti's potent sensual imagery compelled Edmond Gosse, perhaps the
most influential literary critic in late Victorian England, to observe that she "does not shrink from strong
delineation of the pleasures of life even when denouncing them." In the face of Rossetti's virtual
canonization by critics at the end of the nineteenth century, however, Virginia Woolf ignores her apparent
conservatism, instead seeing in her curiosity value and a model of artistic purity and integrity for women
writers. In 1930, the centenary of Rossetti's birth,Woolf identified her as "one of Shakespeare's more
recent sisters" whose life had been reclusively Victorian but whose achievement as an artist was enduring.
Woolf remembers Rossetti for her four volumes of explosively original poems loaded with vivid images
and dense emotional energy. "A Birthday," for instance, is no typical Victorian poem and is certainly unlike
predictable works of the era's best known women poets. Rossetti's most famous poem, "Goblin Market,"
bridges the space between simplistic fairy tale and complex adult allegory-at once Christian,
psychological, and profeminist. Like many of Rossetti's works, it is extraordinarily original and unorthodox
in form. Its subject matter is radical and therefore risky for a Victorian poetess because it implies
castigation of an economic (and even marital) marketplace dominated by men, whose motives are, at best,
suspect. Its Christian allusions are obvious but grounded in opulent images whose lushness borders on
the erotic. From Rossetti's work emerge not only emotional force, artistic polish, frequently ironic
playfulness, and intellectual vigor but also an intriguing, enigmatic quality. "Winter: My Secret," for
example, combines these traits along with a very high (and un-Victorian) level of poetic selfconsciousness.
"How does one reconcile the aesthetic sensuality of Rossetti's poetry with her repressed, ascetic
lifestyle?" Woolf wondered. That Rossetti did indeed withhold a "secret" both from those intimate with her
and from posterity is Lona Packer's thesis in her 1963 biography of Rossetti. Packer's claim that
Rossetti's was a secret of the heart has since been disproved through the discovery of hundreds of letters
by Rossetti, which reinforce the conventional image of her as pious, scrupulously abstinent, and
semi-reclusive. Yet the passions expressed in her love poems do expose the "secret" at the heart of both
Rossetti's life and art: a willingness to forego worldly pleasures in favor of an aestheticized Christian
version of transcendent fulfillment in heaven. Her sonnet "The World," therefore, becomes pivotal in
understanding Rossetti's literary project as a whole-her rhymes for children, fairy tale narratives, love
poems, and devotional commentaries. The world, for Rossetti, is a fallen place. Her work is pervasively
designed to force upon readers this inescapable Christian truth. The beauty of her poetry must be seen
therefore as an artistic strategy, a means toward a moral end.
The passage mentions all of the following as qualities that emerge from Rossetti's work EXCEPT for
A) intellectual vigor
B) stark realism
C) unorthodox form
D) ironic playfulness
E) lush imagery
4. The village of Vestmannaeyjar, in the far northern country of Iceland, is as bright and clean and up-to-date
as any American or Canadian suburb. It is located on the island of Heimaey, just off the mainland. One
January night in 1973, however, householders were shocked from their sleep. In some backyards red-hot
liquid was spurting from the ground.
Flaming "skyrockets" shot up and over the houses. The island's volcano, Helgafell, silent for seven
thousand years, was violently erupting! Luckily, the island's fishing fleet was in port, and within twenty-four
hours almost everyone was ferried to the mainland. But then the agony of the island began in earnest. As
in a nightmare, fountains of burning lava spurted three hundred feet high. Black, baseball-size cinders
rained down. An evilsmelling, eye-burning, throat-searing cloud of smoke and gas erupted into the air,
and a river of lava flowed down the mountain. The constant shriek of escaping steam was punctuated by
ear-splitting explosions. As time went on, the once pleasant village of Vestmannaeyjar took on a weird
aspect. Its street lamps still burning against the long Arctic night, the town lay under a thick blanket of
cinders. All that could be seen above the ten-foot black drifts were the tips of street signs. Some houses
had collapsed under the weight of cinders; others had burst into flames as the heat ignited their oil storage
tanks. Lighting the whole lurid scene, fire continued to shoot from the mouth of the looming volcano. The
eruption continued for six months. Scientists and reporters arrived from around the world to observe the
awesome natural event. But the town did not die that easily. In July, when the eruption ceased, the people
of Heimaey Island returned to assess the chances of rebuilding their homes and lives. They found tons of
ash covering the ground. The Icelanders are a tough people, however, accustomed to the strange and
violent nature of their Arctic land. They dug out their homes. They even used the cinders to build new
roads and airport runways. Now the new homes of Heimaey are warmed from water pipes heated by
molten lava.
This liquid was coming from the -
A) ground
B) sea
C) ocean
D) sky
E) mountains
5. One of the most intriguing stories of the Russian Revolution concerns the identity of Anastasia, the
youngest daughter of Czar Nicholas II. During his reign over Russia, the Czar had planned to revoke
many of the harsh laws established by previous czars. Some workers and peasants, however, clamored
for more rapid social reform. In 1918 a group of these people, known as Bolsheviks, overthrew the
government. On July 17 or 18, they murdered the Czar and what was thought to be his entire family.
Although witnesses vouched that all the members of the Czar's family had been executed, there were
rumors suggesting that Anastasia had survived. Over the years, a number of women claimed to be Grand
Duchess AnastasiA. Perhaps the best -known claimant was Anastasia Tschaikovsky, who was also
known as Anna Anderson. In 1920, eighteen months after the Czar's execution, this terrified young
woman was rescued from drowning in a Berlin river. She spent two years in a hospital, where she
attempted to reclaim her health and shattered mind. The doctors and nurses thought that she resembled
Anastasia and questioned heer about her background. She disclaimed any connection with the Czar's
family. Eight years later, though, she claimed that she was AnastasiA. She said that she had been
rescued by two Russian soldiers after the Czar and the rest of her family had been killed. Two brothers
named Tschaikovsky had carried her into RomaniA. She had married one of the brothers, who had taken
her to Berlin and left her there, penniless and without a vocation. Unable to invoke the aid of her mother's
family in Germany, she had tried to drown herself. During the next few years, scores of the Czar's
relatives, exservants, and acquaintances interviewed her. Many of these people said that her looks and
mannerisms were evocative of the Anastasia that they had known. Her grandmother and other relatives
denied that she was the real Anastasia, however. Tried of being accused of fraud, Anastasia immigrated
to the United States in 1928 and took the name Anna Anderson. She still wished to prove that she was
Anastasia, though, and returned to Germany in 1933 to bring suit against her mother's family. There she
declaimed to the court, asserting that she was indeed Anastasia and deserved her inheritance. In 1957,
the court decided that it could neither confirm nor deny Anastasia's identity. Although we will probably
never know whether this woman was the Grand Duchess Anastasia, her search to establish her identity
has been the subject of numerous books, plays, and movies.
Tschaikovsky ____any connection with the Czar's family.
A) noted
B) denied
C) stopped
D) justified
E) answer not stated
Solutions:
| Question # 1 Answer: B | Question # 2 Answer: E | Question # 3 Answer: B | Question # 4 Answer: A | Question # 5 Answer: B |



